"I am The Walrus"
'So, who’s reading it this time?' asked the Walrus.
'Salman the Wise,' I replied.
‘He's familiar with the poem then?'
'Oh yes, he can recite it from memory, and the other
one, Jaberwocky. He's a great fan of Deacon Carroll.'
'I see,' said the Walrus, scratching his bald, grey
head with a flipper. 'Tell me about him.'
'He's a postmodern writer, and his books are full of
dreams, nightmares, angels, demons, men who fall from airplanes and think
themselves prophets, enchanting women with kohl dark eyes, mythical beasts,
clowns and flying carpets.'
'Nothing like the Deacon's then?'
I was about to disagree when the Walrus winked a
blubbery lidded eye and puffed out his Kitchener moustache. 'I was joking, dear
boy. I'm familiar with the wise one's work, not everyones’ mug of bladderwrack
infusion though. I think he'll come to a sticky end with all those halvas.'
'I think you mean fatwas.'
'When I use a word it means exactly what I choose it
to mean. And sticky is what I mean.' He raised a flipper. 'But hush, dear boy,
I think he's about to begin.'
The
sun was shining on the sea,
Shining
with all his might: ...
'What did you say dear boy?' said the Walrus, holding
a flipper up to his head.
'Your hearing's not getting any better,' I hissed into
his drain-hole like ear, not wanting to disturb the recitation. 'I've already
asked you twice. Don't you sometimes wish for something more?'
'Something more! Something more than what?'
'Something more than this.' I waived towards the
enraptured audience. 'Always these same verses read from the same page. The
same bright sunshine, the same sulky moon, the same over-abundance of sand and
the same delicious, but gullible, oysters. Don't you wish there was something
more?'
'Sounds like you having an existential mid-life crisis,
dear boy. What more could you possibly want?'
'Well, for a start, why do we always have to be on the
same page? Why can't we be on a different page, or even on more than one page?
Would it be so much to ask to be able to move pages from time to time?'
The Walrus cocked his head, waggled his tusks and
huffed through his moustache.
‘We're on the page we're on because the good Deacon
put us there. Have you considered that he might have picked that page because
it was the best of all possible pages to put us on? Anyway it’s a bit late to
be asking the Deacon to change things now.'
'Well there's another thing,' I said. 'Why should our
existence be limited to what the Deacon imagined for us? Why can't we walk on a
grassy meadow instead of the beach, why should the sea be boiling hot and why
can't we choose to eat Brussels sprouts instead of oysters.’
'Brussels sprouts! They give me gas. No, no, you are
what you eat, dear boy. I like oysters. I eat oysters therefore I am the
Walrus.'
'Or do you just eat oysters because that was only
choice the Deacon gave you. What if there was another choice, one that you
could make for yourself?'
The Walrus stroked his chin with a flipper. 'I see
you're an anti-predestinarian. Dangerous ground I would have thought, to be
questioning what the author intended.'
'But the author is dead, so why shouldn't we question it?
And do his intentions even matter, surely anyone who reads his work is free to make
their own judgement?'
The
Walrus and the Carpenter
Were
walking close at hand; ...
'There!' I jabbed my finger into his blubbery chest.
'So much for the Deacon’s authority. He was wrong there and you know it.'
The creases on his knobbly brow deepened and he sucked
his moustache in between his tusks. Then his button eyes twinkled. 'Elementary
penguin! Think you might have something there, dear boy. If I remember right we
were walking hand in hand.' He held up a flipper and examined it. 'Although I
can't quite see how we did it.'
'It doesn't matter how we did it, this is fiction. But
the point is that we did walk hand in hand, that’s what the Deacon originally
wrote. It was only because a pedantic illustrator drew you with flippers that
he changed it to, "close at hand."’
'But I'm still not sure how that helps you, dear boy.
What's on the page is what the Deacon wrote, we are just the characters in the
story. We can't change what the author wrote.'
'But what if the author is unreliable,' I said.
'Doesn't that change everything? If we know that something that is on the page
now is not what was originally intended, then what else might we have been
deceived about? Maybe there were clouds in the sky and birds flying
overhead. If we were holding hands once
why couldn't we do so again?'
'Idle speculation surely, dear boy.'
'Speculation yes, but idle? Certainly not. For there
to be speculation there has to be someone doing the speculating. And those
someones happen to be you and me. And to speculate we have to be able to think
and if - well then it’s not because you eat oysters that you are the Walrus,
but because you can think.'
'I think, therefore I am the Walrus,' said the Walrus,
scratching his head with a flipper. 'Where have I heard that before? Was it D’Oyly
Carte?'
'Close, it was a mathematician called Descartes,' I
said, shaking my head. 'Sometimes you amaze me. But consider, my rosmarusy
friend, if we exist then there has to be a possibility that we can change
things in our own story.'
'The
time has come,' the Walrus said,
To
talk of many things; ...
'The time has indeed come,' the Walrus said, 'to talk
about pigs with wings. I concede that the Deacon was unreliable, but surely, if
he's dead, nothing on the page can be changed. Whether or not you or I exist is
irrelevant. We are like Sisyphus, dear boy, doomed to roll the same boulder
over and over again.'
I gave him a playful poke in the blubber. 'Not just a pretty
face are you? But you are quite wrong. If the author is dead then he has no
control over the page and anyone is free to make of it what they will.'
'But even if I grant that we exist, dear boy, we don't
exist in the world of the page. We exist in the text on that page, and the text
is just a collection of symbols that represent ideas. Ideas of ships and shoes
and sealing wax, of cabbages and kings.’
'And ideas of a Walrus and a Carpenter?' I said,
sensing that we were finally getting somewhere.
'Yes, dear boy, we exist in the world of ideas. But
not, I'm afraid to say, in the world of reality.’
'You say that as if it was a bad thing. But history is
jammed full of people who exist only in the world of ideas, but who are far more
real than most people who ever lived.
The Walrus eyed me sceptically.
"Come, come,' I said,' Just think of Odysseus,
Guinevere, Hamlet, Juliet, Robin Hood, Molly Bloom, Sherlock Holmes and
Hermione Granger. For countless people they are more alive than their next-door
neighbours. Their lives are limited only by the power of imagination and their
words and deeds are an inspiration to millions.'
'And we can be like that?'
I smiled at him. 'We are like that. So tell me, old
friend, do you still think we should be content to stay on the page where the
Deacon put us, or should we choose our own page in our own story? We can go
anywhere, do anything, be whatever we want. The possibilities are endless. All
it takes is a girl with a keyboard and the world's your oyster.'
'Oysters did you say? I love oysters, especially with a
little pepper and vinegar.’
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